![]() ![]() From how I understood it, myth is interestingly both strong and fragile – it can be easily destroyed or changed based on how culture signifies and grants meaning to it. In presenting the groundwork for semiology and its relationship to myth, I got to the starting point of examining current forms of existence and revealing the ideological nature of culture and people’s fondness for mythmaking. In reading French literary theorist, philosopher, critic, and semiotician Roland Barthes’ “Myth Today” from his book “Mythologies,” I found myself more open to the nature of cinema as a theoretical discussion. In response to: The section “Myth Today” from the book “Mythologies ” by Roland Barthes A response paper for my Advanced Film Theory and Criticism class ![]()
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